Hauntings, posthumous marriage proposals, addictions, not-quite-human heroes, in-between spirits growing old, burnt offerings that are actually real in another world. Interest piqued? Get ready for this absolutely ingenious debut novel!
And (there’s more!), as an exponentially satisfying bonus, the crisply-voiced author herself – Yangsze Choo, a fourth-generation Malaysian of Chinese descent now California-domiciled – refreshingly voices the audible incarnation. Yes, without having to grit your way through errant pronunciations, Choo’s rendition is just about music to your ears!
The concept of ‘hungry ghosts‘ is centuries-old in China and other parts of Asia, but Choo goes far beyond lost and desperate spectres to create original, unexpected parallel world she calls “the Plains of the Dead” filled with the uniquely undead. Li Lan, a young woman in 1890s Malaya who is quickly bypassing socially-deemed marriageable age, receives an eerie offer. No longer an illustrious family, Li Lan’s father is financially diminished enough to present the unusual proposition to his daughter: to marry Lim Tian Ching, the wealthy heir to a privileged family … never mind that he’s … well … dead. His mother worries that her precious son will be lonely in his afterlife, and requests Li Lan as his bride.
Just in case Li Lan had other thoughts, Tian Ching quickly begins to lay claim from beyond on his intended. Li Lan, of course, is no obedient wallflower; in fact, her heart flutters for Tian Ching’s cousin, Tian Bai, who she initially mistakes as a servant. Her future, alas, is not her own if she can’t get herself unhaunted. Somehow, somewhere, she’ll have to chase down the undead Tian Ching and expose him for the less-than-honorable spirit he is …
Li Lan’s epic journey toward death in order to live is filled with unexpected meetings, devious servants, a trusty horse that never eats or tires, an arrogant yet irresistible guardian spirit, and plenty of corrupt officials (surprise, surprise – even in the netherworld!). Lest you worry about your own soul, Choo inserts a clever nod to tolerance: Keep an eye out for the centuries-old Dutchman who cannot help Li Lan on her deathly quest because “Those are not my beliefs … That is not my afterworld.”
The lengths a girl has to go through to escape unwanted attention reaches new heights – or should I say depths? – in this intriguing, wholly inventive, thoroughly entertaining debut title.